by Rachael Romero (guest author) on 14 February, 2011
The Sisters of the Good Shepherd ran commercial laundries which serviced many businesses, including hopsitals, hotels and wealthy households. Doing all the unpaid, hard labour in hot conditions were teenage girls who were sent the convent because they were considered to be in ‘moral danger’.
The Good Shepherd laundries operated at the Mt Maria Centre, Mitchelton, Brisbane; Abbotsford Convent, Melbourne; The Pines, Plympton; Leederville, Perth and Mount Saint Canice in Hobart.
Rachael Romero, in 1968, aged 15, was an unpaid labourer in the laundry while resident at The Pines. Below is a laundry slip she kept – one of those used by the Good Shepherd Sisters to charge for their laundry services.
Laundry slip from the Home of the Good Sheperd, Plympton, South Australia
For more information on the commercial laundry services run in Catholic Children’s Homes, see Allan Gill’s 2003 article in the Sydney Morning Herald, Bad girls do the best sheets.
by Rachael Romero (guest author) on 10 February, 2011
In her short film In the Shadow of Eden, filmmaker Rachael Romero comes to grips with the physical, sexual and emotional abuse she suffered at the hands of her religion-fixated father while growing up in rural South Australia. The film includes Romero’s memories of her time in the Good Shepherd Sisters’ laundry at The Pines in Plympton, Adelaide.
In the Shadow of Eden premiered at the Yale Center for British Art in September 2003 where it won a Short Film Prize from Film Fest New Haven. Since then it has screened at the Cleveland International Film Festival, the Santa Fe Film Festival, Moondance (where it won the Spirit Award for short documentary) Boulder, Colorado and The Full Frame Documentary Film Festival in Durham, North Carolina where, with the help of The New York Times and a board that includes Martin Scorsese, Jonathan Demme, Ken Burns, and Barbara Kopple it was among six shorts chosen from over 100 ground-breaking documentaries available now on DVD – Full Frame Documentary Shorts, Volume 4, the best of the festival.
Ironically, given all these accolades in the United States, In the Shadow of Eden has been rejected for inclusion in the the Sydney, Adelaide and Victoria Film Festivals.
by Oliver Cosgrove (guest author) on 7 February, 2011
This photograph kindly forwarded to the National Museum by Oliver Cosgrove shows the interior of the chapel at the former Clontarf Boys Town, now Clontarf Aboriginal College.
The interior bricks were rendered, the exterior stuccoed, and the roof timbers constructed from jarrah and karri. The parquetry floor was made from she-oak and jarrah, all securely laid in bitumen on a concrete base. The chapel was consecrated in 1941 by the Archbishop of Perth. The chapel was built in one year by the child residents at Clontarf.
This is a piece of concrete, not much bigger in size than a hand. It was rescued from the demolition of the swimming pool at the former Clontarf Boys Town Christian Brothers Home in Western Australia.
Clontarf boys building the swimming pool – c. 1956
The photo of the boys building the pool was taken by Michael O’Donoghue, who used his Box Brownie camera to take not only this, but many photos around the Boys Town.
Clontarf, like Bindoon, another Christian Brothers institution located outside Perth, used the labour of the boys to build the institutional infrastructure. Michael has vivid memories of building the pool. They laboured before and after school and at weekends to complete it, using picks and shovels. Boys who did not work hard enough risked being beaten. Michael still suffers the effects of an injury he received from a blow across the chest by one particular Brother.
Violence, both physical and sexual, was part of the life of boys at the Boys Town. Some boys suffered more. ‘I was this Brother’s ‘punching bag,’ ’ remembers Michael. Later in life, a doctor asked him if he had ever been in a major traffic accident, because his body bore all the signs of such a major trauma.
These traumatic injuries were gained not only at Clontarf but at the Home in England where Michael was before he came to Australia as a Child Migrant. His mother had placed him in the Home as a young child, after the loss of Michael’s French-Canadian soldier father. Michael was chosen to come out to Australia as part of the Child Migrant scheme, although his mother had never given permission for him to be taken out of the country. He left England on his 11th birthday and arrived in Perth in August 1953. He went straight to Clontarf and remembers the shock of seeing poorly-clad boys, who to him seemed clearly neglected. He was sent from Clontarf just on 16, having been forced to leave school a year earlier, although he had asked to continue.
Michael gave evidence to the Senate Inquiry which led to the ‘Lost Innocents’ Report. He felt compelled to talk about it, to release ‘all that history inside me’, that ‘terrible repression’ of memories he had not been able tell because he had felt nobody would believe. Reliving it is painful, and brings back the memories and the nightmares. ‘I peel off a straitjacket every time I remember’ says Michael. But he feels a powerful obligation to tell, not only for himself but for others, because he can remember what some others have blocked out or have lost through trauma.
