Here is one of these works, Stigmata: The Indelible Stain.
by Ann McVeigh (guest author) on 2 August, 2011
‘My identity was stolen from me’. Child Migrant Ann McVeigh shares her personal history and photographs of St Joseph’s Orphanage, Subiaco (now Wembley), WA.
As a child migrant my identity was stolen from me the moment I left my home land, without my mother’s consent. The name that I was born with was changed when I was put into Nazareth House in Belfast. I came to Australia on the [SS] Asturias when I was 5 years old in 1950.
On arrival in Western Australia I was sent to St Vincent’s Foundling Home in Wembley till I turned ‘a big girl’ 6 years of age. When one turns 6 one is sent to St. Joseph’s Orphanage which was next to St Vincent’s. Once placed there I still had my name changed and the date of my birth was changed also. Right away we were given numbers to answer to, put onto our clothes and lockers, my number being number one. Straight away you were expected to work always rising at 6 am every day for prayers and Mass. Duties being – sweeping yards, cleaning toilets, washing and polishing floors in the dormitories, classrooms and long corridors on hands and knees. Children were put in charge of children to be cared for in nurseries, kindergarten and foundling home. Laundry had to be done for private boarding schools and hospitals as well. Huge big washing machines, dryers and mangles which were like oversized irons for sheets and the like. The work was relentless and very tiring.
A lot of the child migrants were, I feel, abused both physically and mentally simply because we didn’t get visitors and had no-one to report the abuses to. Girls were constantly being told that ‘from the gutters of Belfast you came and to the gutters of Belfast you’d return’. Schooling was always under duress, beltings if exam results weren’t good enough or if you couldn’t understand what was being taught. To my mind it was likened to a modern day Oliver Twist, with all the cruelty that went on.
When I was in grade 2 I was informed that I was a very lucky girl because I received a letter from my mother. I was called up to the front of the class whilst the letter was read out to me. I never ever forgot that letter and always wondered when I would get a visit from my mother who said she’d try and come to get me to take me back to Ireland. Every time the door bell would go you’d stop and wait with hope, expecting your name to be called. In the end it would be a joke – yeah she’s walking across water to get me – not ever realising my letters that you wrote were never passed on. My education ended in second year high when I was 15 ½ years. I was sent 300 miles up north to look after 5 children and help around the house. One day I was with 200 kids, the next day 5 children and 2 adults. The quietness was frightening as I missed my school pals terribly. That job lasted six months and the second job for only one month, another country job doing housework for a very nasty and cold family. I was never ever greeted the time of day – just given orders on what had to be done for the day. No payment ever received. The third country job was as a shop assistant which I really enjoyed, but after 11 months I was very upset when told I would have to go back to St. Joseph’s. When her son came to pick me up I locked myself in the bathroom until I was given an assurance that I wasn’t going back. I was sent to a juvenile detention centre which scared me somewhat when I woke up the first morning as there were bars on all the windows and I thought that I had been sent to jail.
Because I rebelled I was given a welfare officer to help me out with jobs and accommodation. It was she who got my mother’s address and encouraged me to put pen to paper. Because I was eighteen I had to correspond by mail till I was allowed to go overseas and visit the family when I turned 21. When I first started to write, my mother told my siblings (2 brothers and 4 sisters) that I was their cousin from Australia. As they were still very young and still at school, not much explanation was needed. In 1967 I met my family for the first time. Being shy, I was very nervous, wondering if I was going to be accepted, but I needn’t have worried as everything turned out well.
When my mother passed away, I took my one year old son with me to the funeral. Sadly, she was buried on my birthday. When my son was eleven, I took him over again so he could meet all his cousins. It was wonderful to see them all together, it was like he belonged and was wonderful to see.
In 1988 I bumped into a school pal and she was telling me that when she received her personal papers from the welfare department, she had a breakdown. You see, because of her Afghan heritage she was dark skinned and in her papers said, although she was a very pretty little girl, she was unsuitable for adoption. We got talking and wondered how the other girls had faired when they got files. She told the doctors that …. the treatment the girls got at the home would come out – so he went to the Wish Foundation and formed an organisation called ICAS (Institutional Child Abuse Society). We went to print and on air and received a lot of support, especially after the radio interview. We got a lot of calls from the boys who were in Clontarf, Bindoon, Tardun and Castledare, telling us about the abuse that took place. We only heard from one or two other girls that they weren’t interested and just wanted to forget. After all this happened the boys formed their own organisations and the world got to hear of the terrible treatment the migrants and Aussie kids received in the institutions of the day.
I was on the committee that erected the child migrant statue in Fremantle, outside the Maritime Museum. My partner is a child migrant also and both our names are on the Welcome Wall, very close to the migrant statue. While on the committee, submissions were invited for the Child Migrant Memorial Statue, although my poem wasn’t accepted, these are my thoughts on the very sad history of child migration.
They did not know what lay in store
holidays abroad to far distant shores.
Yet in their memories as often recalled,
brothers – sisters
and friends what’s more.
Where are the families
that they once had
Back in their homelands,
How very very sad
Thousands of children crossing the line
Holidays and memories lasting a lifetime
Ann McVeigh 29 January 2011
by Rachael Romero (guest author) on 8 June, 2011
Rachael Romero, who was in the The Pines, the Convent of the Sisters of the Good Shepherd in Plympton, South Australia, shares her drawing A Severed Life.
Rachael writes about her art work:
Those responsible for our incarceration were looking in the mirror.
How many lives cauterized?
How many hands maimed?
Girls not protected but stained by unwarranted and self-righteous religious and civil presumption of guilt.
Their persecuters were looking in the mirror.
‘Magdalene Laundry Convent of Good Shepherd Crown’ by Rachael Romero
by Rachael Romero (guest author) on 3 June, 2011
New York artist and former resident of The Pines (Good Shepherd Convent), Adelaide SA, Rachael Romero shares artwork from her pending publication Artist’s Portfolio: Nothing Sacred.
by Rachel Romero (guest author) on 18 May, 2011
New York artist and film-maker, Rachael Romero, and former resident of ‘The Pines’, Sisters of the Good Shepherd Convent, Plympton, South Australia shares a page from her book which will be published this year.
Rachael’s book is a series of prints documenting the life in the Convent of the Good Shepherd. Regarding her work below, The Mangle, Rachael says,
You … need to imagine immense heat, little ventilation and the din of thundering machinery.
by Rachael Romero (guest author) on 2 May, 2011
In 1971, Rachael Romero, soon after her release from The Pines (Sisters of the Good Shepherd Convent), Plympton, SA, wrote a poem about how it felt to be indoctrinated.
Of Pines Indoctrination
A tattooed mind
with fear and cold
and logic warped
to please false aims
a cringing heart
a slaughtered soul
a bleeding confiscated mind
Deadened, buried lay my will
Hushed with fear and violent threat
Unwanted, stifled, broken, ill
stumbling on a stormy deck.
copyright Rachael Romero
by Raymond Brand (guest author) on 13 April, 2011
Former Child Migrant Raymond Brand writes about his experience as a child migrant from Britain, growing up in Castledare and Bindoon, WA. Ray describes the abuse he suffered and how education and medical care were low priorities at Bindoon.
by Janice Konstantinidis (guest author) on 10 March, 2011
In January 2010, Janice Konstantinidis returned to her former “Home”, Mount Saint Canice, Sandy Bay, Tasmania to witness its redevelopment into luxury apartments.
Janice describes her feelings returning to Mount Saint Canice:
I am walking about the grounds….a first as a free person [and then] I sat here for a long time, trying to get my mind around it all. It was so weird to be free, even at fifty nine. In all seriousness I had flashbacks and wondered if I could be made stay.
by Rachael Romero (guest author) on 10 March, 2011
Rachael Romero who was sent to the The Pines, Plympton, SA, run by the Sisters of the Good Shepherd, recalls the importnace of holy cards:
Holy cards were currency -emotional currency–in a place where expressions of contempt are the norm; where you can’t trust anyone because of co-ersion and it is unwise to share secrets, the holy cards where a sanctioned (because purified) way of showing loyalty and caring between people–to say what otherwise may not be said–to give each other courage. We weren’t allowed to speak more than an hour a day–otherwise we were in silence and the thundering noise of the Laundry Mangle or being raved at by the head nun as we ate the rotten food. Allways watched, we could buy the cards for pennies from the nuns and sometimes we were given them as gifts. We could not pass notes or letters unless the nuns read them first but the holy card was ok. It carried our “voice” however coded, however muffled.
They were given on Feast Days and Birthdays because we had no other gifts. We got 20c every week towards buying our own shampoo, soap, tooth paste–and holy cards, from the nuns.
by Rachael Romero (guest author) on 2 March, 2011
Rachael Romero shares her original art work which she painted in 1973.
We couldn’t make noise in that cement quadrangle.We screamed in aching silence.
copyright Rachael Romero 1973